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Composers: Elliot Cole | Quinn Collins | Florent Ghys | Wally Gunn | Brad Balliett | All
 Tags: Percussion | Piano | Guitar | Voice | Large Ensemble | Cello | Clarinet | Bassoon | All
Flowerpot Music No. 1
Elliot Cole 
for two players, 8 flowerpots

PDF
Flowerpot Music No. 1 is a duo for two percussionists and 8 flowerpots. It is ‘pitch-agnostic’ - you design your own collection of pitches with any pots you can find.  
Indigo Bunting
Brad Balliett 
for bassoon and piano

PDF
“Lancaster, Massachusetts, June, 7:50 AM: surrounded on both sides by low-rise seasonal forest, a long and naked stretch of scrubby grasslands is bisected by dusty walking path. Miniature mesas dot the horizon. It’s getting very bright, and in the hazy air hang songs of Indigo Buntings, Prairie Warblers, Field Sparrows, Grasshopper Sparrows, and Towhees. And by the road — a House Wren, inflamed, bursting with love or anger.”

Postludes
Elliot Cole
for bowed vibraphone / four players

 PDF
Postludes is a book of eight pieces for a familiar instrument played in a new way. Four players, with eight double-bass bows, play interlocking lines on a single vibraphone. The interplay of bows and hands tapping, muting and touching harmonics, weaves an intimate and intricate counterpoint that is as beautiful to watch as it is to hear: fragile, tender and haunting. 
Capillary Waves
Quinn Collins
for percussion quartet
two vibranophones
two marimbas (4.3)

PDF

In this gorgeous new work by Quinn Collins, patterns overlap and evolve. Eerie auras glow and pulsate from the beating resonance. And at its center -- a maelstrom around which everything spins.

Vicious Children
Wally Gunn
for percussion quartet whispering, shouting and singing (singing optional) – 4 snares, 4 almglocken (low F E D C), 4 floor or low toms tuned to D minor.

PDF 

 The schoolyard and the playground can be places of savagery, where each child must nervously navigate the shifting alliances, the ruthless and cruel scheming, and sometimes the unjustified violence of their fellows. It’s not clear whether these behaviours are learned from grown-ups, or whether they are innate. In any case, they are ubiquitous, and no child escapes them. Vicious Children recalls this struggle with a musical and theatrical narrative of brittle stick clicks and driving drumming, dreamscapes of meditative bells, and grim, sinister nursery rhymes whispered, sung and shouted. The piece was composed for Mobius Percussion. — WG
Bloom Suite
Elliot Cole
for solo guitar

PDF

Other versions available: 
  • solo marimba
  • trio: add cello and clarinet
  • full orchestra: 222, 4321, timp, 3 perc, harp



Bloom Suite for Marimba
Elliot Cole
solo marimba

PDF 

Other versions available:
  • solo guitar
  • trio: add cello and clarinet
  • full orchestra: 222, 4321, timp, 3 perc, harp



Bloom Trio
Elliot Cole
for guitar (or marbima), cello, and clarinet
PDF





Facets
Elliot Cole
for solo piano
PDF

Facets is a quilt of interlocking patterns that pivot and fold, a hall of mirrors from which songs and illusions of songs emerge from an algorithmic unconscious. 


Facets (Percussion Quartet)

Elliot Cole
percussion quartet: 2 vibes, 2 marimbas (5), crotales, glockenspiel, bass drum

PDF

This version of Facets was arranged for percussion quartet for Blow Up Percussion. 




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